
Painter · American
Attested lodger
John Leslie Breck
One of the first Americans to adopt Impressionism and win it acceptance in the United States.
- Dates1860 — 1899
- NationalityAmerican
- DisciplinePainter
- Place of birthBorn at sea, off Hong Kong
Biography
Trained in the United States, Germany and then Paris, John Leslie Breck first came to Giverny in 1887. He became close to Claude Monet and his family and made his transition to Impressionism. Back briefly in the United States in 1890–1891, he was among the first to exhibit Impressionist works there and to apply the style to the American landscape. He died in 1899, aged thirty-eight.
Giverny
The Figge Art Museum dates his first visit to Giverny to 1887, with a small group of colleagues; the Terra Foundation speaks of a residency from 1887 to 1891, and the Figge of a second trip in 1891. The musée des impressionnismes Giverny counts him among the artists who became friends with Monet. His career was short: he died in 1899, aged thirty-eight, and John Henry Twachtman then described him as an artist who had “founded a new school of painting in America”.
Relation with the Hôtel Baudy
His first stay is the longest in the whole register: from 4 April 1888 to 30 April 1889, thirteen months without a break. He is twenty-eight, and the register gives his birthplace as “Hong Kong, China” — where the biographies write “born at sea, near Guam”. He returns from 9 July to 21 November 1891, entered this time as “Boston”.
Principal works
Key points
- 1860Born — Born at sea, off Hong Kong
- Giverny1887 — 1891, repeated stays
- 1899Died
Sources
- 01Figge Art Museum
- 02Terra Foundation for American Art
- 03Museum of Fine Arts, St. Petersburg
- 04Musée des impressionnismes Giverny
- 05Museum of Fine Arts, St. Petersburg, notice d’œuvre « Evening in Giverny »
- 06Smithsonian American Art Museum, notice « M. Baudy Behind his Desk at the Hotel Baudy »
- 07Hôtel Baudy guest register, “Registre pour inscrire les voyageurs”, Philadelphia Museum of Art; transcribed by Carol Lowrey in William H. Gerdts, Monet’s Giverny, Abbeville Press, 1993, pp. 222-227.
From the register
Under the same roof
The painters whose stay overlaps this one. The register establishes that they lodged in the house on the same days, and nothing more.
- Theodore Robinson 135 days from July 9, 1891 to November 20, 1891
- Dawson Dawson-Watson 127 days from May 12, 1888 to September 15, 1888
- Philip Leslie Hale 123 days from June 1, 1888 to October 1, 1888 · 2 shared stays
- Theodore Earl Butler 115 days from May 20, 1888 to September 11, 1888
- Theodore Wendel 111 days from May 20, 1888 to September 7, 1888
- Lilla Cabot Perry 99 days from July 14, 1891 to October 20, 1891
- Thomas Buford Meteyard 78 days from September 5, 1891 to November 21, 1891 · 2 shared stays
In the collection
Related documents
Around them
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